Reviews by Kyle Ellis

As said in my reviews for his masterpiece 'Memento' and the fascinating 'The Prestige', Christopher Nolan has always struck me as a very talented film-maker, and most of his films are ones that have impressed me a lot. Even weaker efforts, where his ambition can get in the way, have a good deal to admire. His films are all impeccably crafted technically, and often entertaining and thought-provoking, also knowing how to get good performances out of talented casts.

'Insomnia' is not one of Nolan's best films, but not his worst. For me it's somewhere in the middle if ranking his films, 'Memento' being his best and, while with a lot of impressive elements, 'Interstellar' being the one that impressed least. It shows fidelity to the Norwegian original, but doesn't go so far that it's a pale retread, in a way that is summed up very well by Roger Ebert.

Nolan directs with impeccable style and sense of atmosphere, as well as an ability to tell a potentially convoluted story with clarity without resorting to excess and over-ambition. Much of 'Insomnia' is exceptionally well made, while beautiful Alaska has rarely been more oppressive as well while the cinematography has grit and class. David Julyan's music score is not quite as complex as that for 'Memento', but has a very effective eeriness.

The script is tight and thoughtful, and the story, filled with neat twists and turns, is hugely compelling and atmospheric, never being too simple but complex enough to still be understandable and be respectful to the viewer. The cat and mouse stuff could have been predictable and convoluted but executed in masterly hair-raising but also quiet tension.

Performances are all strong across the board. While underused somewhat, Martin Donovan and especially Hilary Swank are great here. It is however Al Pacino and Robin Williams who are even better. Pacino gives perhaps his best performance since 'Heat' and he has to me definitely not been on this amount of blistering form as he is in 'Insomnia'. Williams is cast against type, and he plays a genuinely terrifying character with menace but also dignity and restraint.

Flaws are only a couple, with the film ending too conveniently and some of the editing being a touch too jumpy.

All in all, a gripping film and hardly a sleeper. 8/10 Bethany Cox

It was in 1993 when I got my first taste of gratuitous bloodshed and dazzling martial arts action in the form of the greatest 2-D fighting game ever created: "Mortal Kombat." "Kombat," as envisioned by creator/programmers Ed Boon and John Tobias, revolutionized martial arts video gaming with this awesome fighter. It also sparked an unprecedented controversy for its violence, something that would only help to further ensure its success, not defer it.

In "Mortal Kombat," we're introduced to the fighters, who include monk Liu Kang, martial arts movie star Johnny Cage, Special Forces agent Sonya Blade, Lord Rayden the god of thunder, shape-shifting sorcerer Shang Tsung, terrorist Kano, rival ninjas Sub-Zero and Scorpion, Shang Tsung's guardian Reptile, and the four-armed Goro.

"Kombat" received the big screen treatment in 1995 with British director Paul W.S. Anderson behind the camera; that movie was plain awesome, but unfortunately suffers from a bad reputation because of a horrible, disjointed sequel, "Mortal Kombat: Annihilation" (1997).

The series of games have gotten a better reputation over the years, especially with the release of two new advanced "Kombat" games, "Deadly Alliance" and "Deception," and a third - the upcoming "Shaolin Monks" - each of which takes full advantage of a revamped fighting engine.

The violence is shocking, the fights are brutal, and the blood flies but the martial arts action suffices over all of it. Though it's progressed significantly since 1992, the original hasn't lost any flare. The game that started it all, "Mortal Kombat."

10/10

My The Last of Us review I'm so overwhelmed by this game right now. This game is like a delicious meal. When it ends you want so bad to have more of it but in some other way you are the most satisfied human being in the planet.

The graphics are so amazing I can't even digest it. The story is so well done that I was left teary. And thinking about the ending is surprisingly just as deep as analyzing a good movie. I'm gonna talk about the ending later so keep on with me (haha). Where to start... OK.

This game tells the story of a man with a mission. He has to go across a post-apocalyptic America to deliver a little girl to a rebel group of survivors. As I came aware that it was involving a rebel group holding against the government I was worried. I said to myself "Oh, this is so cliché!". But I was wrong. And I have to mention this was just a meaningless worry still having in my mind the amazing prologue that I just witnessed. The setting the gameplay and the execution of what envelopes is superb in the prologue and in the whole game in general.

The game is divided by seasons (I know, it's weird but awesome). and every season ends with something big. My favorite I think might be winter but it's hard to pick one because they all are amazing! But I'm just gonna go with winter now. The pacing and the way they are told and experienced are awesome.

Now... what most gamers were worried about...! The gameplay. Let me say this. This game... has the most fluid and satisfying gameplay that I have ever experienced. The way the gameplay combines with the atmosphere and story is done masterfully. It has a level of intensity to it that hits you right in the brain's sweet spot. You have to carefully walk through dark hallways and smartly plan what to waste and what to spare. The brutality of the combat also makes it engaging and sometimes disturbing, like when you are choking the life out of an enemy. In Uncharted you just went "snap" with the dude's neck and you were done, here you see Joel's face struggling to keep a grip, and the victim's eyes starting to loose it as he claws for Joel's face.

There was good variety in the enemies and very few and minimal glitches that I encountered.

OK, now let's get into the graphics. These are easily the best graphics that I have seen on a console. They are smooth, detailed and very beautiful. There were a few scenes with animals in them and they are jaw dropping. (Yes, even the rabbit.) Oh and the lighting. Haha man the lighting. The shadows the reflections and the beautifully animated dynamic lighting make this game shine. (No pun intended) The cherry on top of all of this must be the ending. I understand that some didn't like it because of it's abruptness but for me it was deep, dark and let's say, real! I spent easily a day thinking and analyzing these characters (specially Joel at the end) to really understand this character's complex payoff! I mean, what game does this! I can really think of critically acclaimed movies that go toe to toe with this game.

This game is a masterpiece of our time. Everyone must experience it and it should be taken from now on as a reference to what the gaming industry is capable of and how it has already reached the heights of film depth and quality. I'm giving The Last of Us a 10 out of 10.

Thanks for reading! Have a good day!

I admit, the game looks beautiful. But the fun factor has been sacrificed. Compare it to the mk9 and mkx, huge user entertainment loss. Stiff complex combos and the strange annoying "freeze frame" fatalities leave the long time fans of the franchise bored and uninterested. I've read hundreds of posts from people who've purchased mk11 and didn't buy the "aftermath " update simply because they didn't like the game play....to a point where they didn't care about the story!

Classic fans have drawn back to playing mkx online. Mkx, quoted by most being one of the "funnest" mk series games, has had a resurgence in popularity due to the mk11 failure. There are also communities that push to have mk9 brought back to online fighting......which obviously many were upset when realized they couldn't play online anymore.

After Mortal Kombat 11's disappointment with the fan base communities, I'm hoping for an MK12 that will revisit the "fun" aspect to the game and not care about the "looks" so much.

To me, this is not only Kubrick's best film but also a milestone of the genre. It is quite long at around two and a quarter hours, and it is slow, that I agree with. But it is never boring, well not to me it isn't. Besides, and this is up to interpretation, but I think the slow pacing is deliberate, it adds to the haunting and eerie quality 2001 has and also to assimilate every shot which speak volumes, and also 2001's greatest strength is actually in the details.

The story is somewhat abstract in its structure but is also quite complex, innovative and interesting yet has a simple message, and the screenplay and direction by Kubrick are superb. The acting is not the film's best asset, but it is good enough, with Douglas Rain the standout as the voice of HAL 9000 as he is really quite brilliant. Two things especially make 2001 so good. One are the visuals- even after all those years they are simply outstanding. The cinematography is indeed splendid, as are the colours and settings, but there are so many memorable images. The images of the giant Starchild floating through space and the tribe of apes painfully putting two and two together still resonate considerably even now. The other is the music. Coming from a big classical music enthusiast, I was delighted by the use of Also Sprach Zarathustra and On the Beautiful Blue Danube and how they combined with the visuals were exceedingly clever.

Overall, this is a truly wonderful film that is worth seeing for the visuals and music alone and still continues to intrigue and perplex with the ending. As much as I like Oliver and Chitty Chitty Bang Bang, two of my childhood favourites, and the brilliant Lion in Winter to me this is it... the best film of 1968. 10/10 Bethany Cox

I like Stanley Kubrick, and I love his films, especially 2001, Barry Lyndon, Paths of Glory, Dr Strangelove and this, his penultimate film. Full Metal Jacket is a harrowing, violent and foul-mouthed film, yet it is superbly done. True, one or two parts may lack tropical realism, but the atmosphere the film creates is extraordinary. The film looks excellent with skillful cinematography. The script is very well crafted and does have a sense of realism, while the story is compelling with the transition from the training at the camp to the bombed Vietamnesse city smoothly done. I am with those who thinks the first half is better than the second, but that is not to say the second half isn't good, it is more than good, but the first half really was outstanding. Kubrick's direction as always is superb, as is the acting especially Lee Ermey and Vincent D'Onofrio. All in all, one of Kubrick's best and one of the best war movies you will see. 10/10 Bethany Cox

What can I say? This film is amazing, and I would go further and say it is my favourite Quentin Tarantino film, and one of my favourites of the 90s. The cinematography and scenery are spellbinding, and the soundtrack is brilliant, one of the best soundtracks in a Tarantino film actually. The plot is every bit as compelling as that for Reservoir Dogs, while the dialogue is endlessly quotable and quite hard-boiled. The direction is superb, as are the performances. As excellent as Uma Thurman, Bruce Willis and Christopher Walken are, the film's best actors are John Travolta and Samuel L.Jackson who are unforgettable. Pulp Fiction also has a wealth of characters and crossplots that is really quite astonishing. All in all, brilliant. 10/10 Bethany Cox

I like and respect Stanley Kubrick, and feel that along with 2001, Dr Strangelove, Full Metal Jacket and Barry Lyndon, A Clockwork Orange is one of his best films. It is probably Kubrick's most controversial film, but it is also one of his most fascinating at the same time. It is the sort of movie that you need to see more than once though, I didn't think much of it first time I love it and appreciate it much more now for what it set out to do.

A Clockwork Orange is a shocking film I give you that, particularly with the rape and sadistic ultra-violence in the first half, and the scenes where Alex is being brainwashed do bring forth ambiguous messages. Still, like with the rest of Kubrick's work it is very well made, has a haunting soundtrack that fits wonderfully with the tone of the film(especially loved the use of the Beethoven), superb writing and direction from Kubrick and a compelling story that evokes thought afterword complete with a purposefully unrepentent ending. Also Malcolm McDowell is absolutely superb in what I consider the performance of his career.

In conclusion, very fascinating film. 10/10 Bethany Cox

What is to say about Metropolis that hasn't been said already? For me, probably very little. Metropolis is an awe-inspiring and influential masterpiece of the sci-fi genre, and one of the best movies I have seen in recent memory.

Metropolis perfectly demonstrates the artistic vision of director Fritz Lang. Lang was a fine and intelligent director, and Metropolis shows this loud and clear as Lang's direction is superb. The film is very rarely boring to me, both the pace and length were well-judged in my view, and while the message may seem muddled to some people for others including me perhaps it is relevant and even powerful.

The music is haunting, beautiful and evocative, the story really impresses with its originality and the acting is expressive, although silent the facial expressions and gestures speak volumes. The best part about Metropolis and what resonates with me are the visuals, the cinematography is fluid same with the lighting while the costumes and effects are wonderful, but the real revelations are the city landscapes and settings which are gorgeous.

All in all, a brilliant film and an influential film not only of the genre but of cinema itself. 10/10 Bethany Cox

I am a huge fan of Hitchcock, and have really liked all of the movies of his I have seen so far. My top 5 favourites are Vertigo, North By Northwest, Rear Window, Rebecca and this masterpiece. Before I saw this, I considered Vertigo as his masterpiece. After seeing this movie, I think Psycho outshines Vertigo.

Psycho is a film that you see once and never forget, and one of the few movies out there that has left me traumatised. The infamous shower scene is without doubt one of the most terrifying murder scenes in any film. When I first saw that scene on the 100 Greatest American Films, I was so terrified and I admit it I have never recovered. I had a similar experience watching the Disney film Sleeping Beauty with Maleficent enticing Aurora to the spinning wheel, and Mrs Gulch turning into the Wicked Witch in the Wizard of Oz.

The shower scene isn't the only effective or chilling scene in the film- in the events leading up to that scene I was biting my nails. The scene with the old woman in the chair also made me jump out of my skin. The whole of Psycho is terrifying, suspenseful and shocking. Two elements made this so. One was Hitchock's direction. The great director proves how truly great he is by directing Psycho in a masterful way, and manages to deliver the shocks when needed. The other is Bernard Hermann's music. What a creepy score! I loved his score for Vertigo and Miklos Rozsa's for Spellbound, but the high violin motif in the shower scene is the main reason why that scene in particular is so effective. I admit it, when I hear that motif, I start screaming. There is just something about it that makes your blood run cold.

Other pros are a good plot, a well constructed screenplay and beautiful black and white cinematography that is perfect in conveying the creepy mood. And the ending did surprise me. The acting though was exemplary, with Janet Leigh giving one of the deservedly most memorable female performances in a Hitchcock movie, and Vera Miles also giving a stellar performance. Stealing the film is Antony Perkins as Norman Bates, he didn't just play creepy, he WAS creepy, his face, his voice, his mannerisms.. in short it is one of the most chilling performances of all time. All in all, a Hitchcock masterpiece! 10/10 Bethany Cox