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CollectionsMovie(s): Up
First Appearance: Up (2009)
Voiced by: Edward Asner
Cranky, grumpy, irascible, cantankerous. Carl Fredericksen is all of these things and more, but the genius of Up's lead (the first of two characters from their arguable masterpiece to make this list) is that we know right from the off why he ended up that way. And it's not just because he's old. Watching Carl slowly shake off the shackles off loss and hurt over the course of 90-odd gloriously rejuvenating moments is a rare joy, the sort of thing that Pixar seems to specialise in. Carl (impeccably voiced by Asner) remains one of the most well rounded and plain human characters in animation history.
Stroke of genius
Even though it's not as cathartic as the moment when Carl stumbles upon Ellie's scrapbook and decides to move on with his life, and instead merely illustrates why Carl becomes the man he is when we meet him, we have to go for the Married Life montage near the film's beginning. The most moving, boldly brilliant four-and-a-half minutes of moviemaking we've seen in a long time, it retains the power to provoke tears even now. Genius.
Fun fact
Carl's look is modelled on Spencer Tracy from Guess Who's Coming To Dinner, which was his last film.
29. Carl Fredricksen
Posted : 2 years, 3 months ago on 5 August 2022 06:47
(A review of Carl Fredricksen)
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A contender for my favourite of the year so far?
Posted : 2 years, 3 months ago on 5 August 2022 06:18
(A review of Drive)Yes, very likely. Of a very hit-and-miss year so far, I have seen some gems like Tree of Life, Tinker Tailor Soldier Spy(the first two in a way are not for everybody though), Rio and Source Code. And then I saw Drive, which was simply brilliant.
Like I said with some of my favourites this year, Drive is not a movie for all. It is a slow-paced movie, but I did not find it "boring"(a term I hate with a passion, as it is massively overused and hardly ever elaborated upon). For me, just because it is slow-paced, doesn't necessarily mean it is going to be a bad movie, only when other components don't work does it apply to me, which is not the case with Drive.
Besides, Drive isn't even the only slow-paced movie around, so I don't know why people have to make such a big deal of it. There are many other movies(Godfather, 2001, Tree of Life, Brokeback Mountain) that are and deliberately so. I feel also that Drive is paced deliberately, for atmosphere.
The pauses and the "sparse" dialogue to me were just two of many things that made Drive so great. There is such an atmosphere here, one that is very tense and beautiful at the same time. The pauses actually helped to enhance this.
Refn does a fine job directing. From his previous work, this director showed promise, and here he delivers all the stops and gives his best directorial job so far here.
The story starts off electrifyingly, and then slows down again without ever feeling dull, thanks to the unrelenting violence, that is part of the world that is shown here through the eyes of the title character, and adeptly edited car/chase sequences. The dialogue I also have no problem with, it is memorable without falling into cliché territory. The characters are credible, especially the titular character, whose characterisation is perhaps the most complex of the year.
The cinematography is truly excellent, as is the editing, bringing much to the atmosphere and I'd also go as far to say that Drive could very well be the year's most visually stylish film. The colours and scenery are lush on the eyes too. The score is every bit as electrifying as the start of the movie, and manages to raise my adrenaline.
Acting-wise I couldn't fault Drive either. Carey Mulligan and Christina Hendricks's roles mayn't be as well written as Gosling's or Brooks', but these two actresses-particularly Mulligan- manage to bring some much needed credibility to them, elevating the characters to a higher level, and Ron Perlman, Oscar Isaac, Bryan Cranston and in particular Albert Brooks are terrific. Ryan Gosling is simply mesmerising, in his best performance to date. It is a quiet, yet very charismatic and intensely brooding portrayal, reminiscent of Robert DeNiro in Taxi Driver for characterisation and Alan Ladd in Shane in how the role is conveyed.
Last but not least, the elevator scene. Brutal, yet very powerful and moving, I'd say it is a contender for the best scene of 2011. In conclusion, a brilliant film that for fans of films from the 70s and 80s and were expecting a sort of nostalgic throwback in style will appreciate. 10/10 Bethany Cox
Like I said with some of my favourites this year, Drive is not a movie for all. It is a slow-paced movie, but I did not find it "boring"(a term I hate with a passion, as it is massively overused and hardly ever elaborated upon). For me, just because it is slow-paced, doesn't necessarily mean it is going to be a bad movie, only when other components don't work does it apply to me, which is not the case with Drive.
Besides, Drive isn't even the only slow-paced movie around, so I don't know why people have to make such a big deal of it. There are many other movies(Godfather, 2001, Tree of Life, Brokeback Mountain) that are and deliberately so. I feel also that Drive is paced deliberately, for atmosphere.
The pauses and the "sparse" dialogue to me were just two of many things that made Drive so great. There is such an atmosphere here, one that is very tense and beautiful at the same time. The pauses actually helped to enhance this.
Refn does a fine job directing. From his previous work, this director showed promise, and here he delivers all the stops and gives his best directorial job so far here.
The story starts off electrifyingly, and then slows down again without ever feeling dull, thanks to the unrelenting violence, that is part of the world that is shown here through the eyes of the title character, and adeptly edited car/chase sequences. The dialogue I also have no problem with, it is memorable without falling into cliché territory. The characters are credible, especially the titular character, whose characterisation is perhaps the most complex of the year.
The cinematography is truly excellent, as is the editing, bringing much to the atmosphere and I'd also go as far to say that Drive could very well be the year's most visually stylish film. The colours and scenery are lush on the eyes too. The score is every bit as electrifying as the start of the movie, and manages to raise my adrenaline.
Acting-wise I couldn't fault Drive either. Carey Mulligan and Christina Hendricks's roles mayn't be as well written as Gosling's or Brooks', but these two actresses-particularly Mulligan- manage to bring some much needed credibility to them, elevating the characters to a higher level, and Ron Perlman, Oscar Isaac, Bryan Cranston and in particular Albert Brooks are terrific. Ryan Gosling is simply mesmerising, in his best performance to date. It is a quiet, yet very charismatic and intensely brooding portrayal, reminiscent of Robert DeNiro in Taxi Driver for characterisation and Alan Ladd in Shane in how the role is conveyed.
Last but not least, the elevator scene. Brutal, yet very powerful and moving, I'd say it is a contender for the best scene of 2011. In conclusion, a brilliant film that for fans of films from the 70s and 80s and were expecting a sort of nostalgic throwback in style will appreciate. 10/10 Bethany Cox
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30. Grumpy
Posted : 2 years, 3 months ago on 5 August 2022 05:58
(A review of Grumpy)Movie(s): Snow White And The Seven Dwarfs
First Appearance: Snow White And The Seven Dwarfs (1937)
Voiced by: Pinto Colvig
When it comes to choosing one of the seven dwarves to go on this list, it really is throw a dart time. (Snow herself is a bit too bland to warrant serious consideration.) Dopey aside, Grumpy - long white beard, red nose, perpetually pissed off expression - has the best arc of the dwarves, initially reacting with hostility to the gorgeous princess dumped in their midst, before coming over all conciliatory and rushing to her aid. He's a nice chap, after all. Aww...
Stroke of genius
When Snow White has slipped into a coma - what the dwarves think is death - Grumpy's pissed-off facade crumbles as he pays tribute to her perfectly preserved 'corpse', insisting on leaving his garland of flowers in her sleeping arms. Maybe she finally pierced his cold exterior. Maybe he thought he had a shot. Either way, there's not a dry eye in the house.
Fun fact
A fight between Grumpy and Doc was animated, but cut out from the movie. It can be found as an extra on DVD.
First Appearance: Snow White And The Seven Dwarfs (1937)
Voiced by: Pinto Colvig
When it comes to choosing one of the seven dwarves to go on this list, it really is throw a dart time. (Snow herself is a bit too bland to warrant serious consideration.) Dopey aside, Grumpy - long white beard, red nose, perpetually pissed off expression - has the best arc of the dwarves, initially reacting with hostility to the gorgeous princess dumped in their midst, before coming over all conciliatory and rushing to her aid. He's a nice chap, after all. Aww...
Stroke of genius
When Snow White has slipped into a coma - what the dwarves think is death - Grumpy's pissed-off facade crumbles as he pays tribute to her perfectly preserved 'corpse', insisting on leaving his garland of flowers in her sleeping arms. Maybe she finally pierced his cold exterior. Maybe he thought he had a shot. Either way, there's not a dry eye in the house.
Fun fact
A fight between Grumpy and Doc was animated, but cut out from the movie. It can be found as an extra on DVD.
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30. Grumpy
Posted : 2 years, 3 months ago on 5 August 2022 05:58
(A review of Grumpy)Movie(s): Snow White And The Seven Dwarfs
First Appearance: Snow White And The Seven Dwarfs (1937)
Voiced by: Pinto Colvig
When it comes to choosing one of the seven dwarves to go on this list, it really is throw a dart time. (Snow herself is a bit too bland to warrant serious consideration.) Dopey aside, Grumpy - long white beard, red nose, perpetually pissed off expression - has the best arc of the dwarves, initially reacting with hostility to the gorgeous princess dumped in their midst, before coming over all conciliatory and rushing to her aid. He's a nice chap, after all. Aww...
Stroke of genius
When Snow White has slipped into a coma - what the dwarves think is death - Grumpy's pissed-off facade crumbles as he pays tribute to her perfectly preserved 'corpse', insisting on leaving his garland of flowers in her sleeping arms. Maybe she finally pierced his cold exterior. Maybe he thought he had a shot. Either way, there's not a dry eye in the house.
Fun fact
A fight between Grumpy and Doc was animated, but cut out from the movie. It can be found as an extra on DVD.
First Appearance: Snow White And The Seven Dwarfs (1937)
Voiced by: Pinto Colvig
When it comes to choosing one of the seven dwarves to go on this list, it really is throw a dart time. (Snow herself is a bit too bland to warrant serious consideration.) Dopey aside, Grumpy - long white beard, red nose, perpetually pissed off expression - has the best arc of the dwarves, initially reacting with hostility to the gorgeous princess dumped in their midst, before coming over all conciliatory and rushing to her aid. He's a nice chap, after all. Aww...
Stroke of genius
When Snow White has slipped into a coma - what the dwarves think is death - Grumpy's pissed-off facade crumbles as he pays tribute to her perfectly preserved 'corpse', insisting on leaving his garland of flowers in her sleeping arms. Maybe she finally pierced his cold exterior. Maybe he thought he had a shot. Either way, there's not a dry eye in the house.
Fun fact
A fight between Grumpy and Doc was animated, but cut out from the movie. It can be found as an extra on DVD.
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Quite simply movie-making on the grandest scale
Posted : 2 years, 3 months ago on 5 August 2022 05:50
(A review of Lawrence of Arabia)At 17, I love David Lean, his films are filled with beautiful images and he also directs with real flair. Lawrence of Arabia is a perfect example of movie-making at its finest, the whole film is absolutely phenomenal in every aspect:
Whether it is the film's visual style. Lawrence of Arabia is filled with absolutely beautiful images, such as the mirage that introduced us to Omar Sharif. I don't think this could be possible without the astounding cinematography, or the stunning, picturesque Morrocan, Saudi Arabian, Spanish and English locations. The shots of the desert were visually jaw dropping and the battle scenes are unforgettable. But that is the thing with Lean, all of the films I have seen of his are visually stunning, Passage to India, Oliver Twist, Great Expectations, Brief Encounter and Bridge on the River Kwai all but to name a few.
Whether it is the film's music score. I used to listen with real enthusiasm to Classic FM at the Movies every Saturday (on the radio that is), and along with the main theme of Gone With the Wind, the score's main theme was one of the main themes that stuck out most. Maurice Jarre's score is nothing short of outstanding, swift, sweeping, epic and even iconic. I could very well say it is probably one of my all time favourite movie scores.
Whether it is the film's screenplay. The screenplay is intelligent and is like a withering satire on the mentality of Lawrence's superiors, who go by the book. Like the screenplays for Casablanca, Shawshank Redemption, It's a Wonderful Life and All About Eve, the screenplay here has lines that are a) quotable and that b)linger long into the memory, just like the story the film tells.
Whether it is the film's acting. Peter O'Toole is the easiest starting point, for he gives one of the best performances I have ever seen on film. His performance is so flamboyant and brilliant, it just highlights what a great actor he is. He nails Lawrence's complex character like a fitted glove, he is enigmatic and charismatic like TE Lawrence was like in real life. Supporting him all the way like iron are Alec Guiness, Claude Rains, Jack Hawkins and Jose Ferrer. Their characters aren't as complex as Lawrence's but they are still fully fleshed out and intriguing.
The film is very long, but thanks to the quality of the visuals, direction, screenplay, music and acting there is no time whatsoever wasted. Quite simply one of the best movies ever made, movie-making on the grandest scale. 10/10 Bethany Cox
Whether it is the film's visual style. Lawrence of Arabia is filled with absolutely beautiful images, such as the mirage that introduced us to Omar Sharif. I don't think this could be possible without the astounding cinematography, or the stunning, picturesque Morrocan, Saudi Arabian, Spanish and English locations. The shots of the desert were visually jaw dropping and the battle scenes are unforgettable. But that is the thing with Lean, all of the films I have seen of his are visually stunning, Passage to India, Oliver Twist, Great Expectations, Brief Encounter and Bridge on the River Kwai all but to name a few.
Whether it is the film's music score. I used to listen with real enthusiasm to Classic FM at the Movies every Saturday (on the radio that is), and along with the main theme of Gone With the Wind, the score's main theme was one of the main themes that stuck out most. Maurice Jarre's score is nothing short of outstanding, swift, sweeping, epic and even iconic. I could very well say it is probably one of my all time favourite movie scores.
Whether it is the film's screenplay. The screenplay is intelligent and is like a withering satire on the mentality of Lawrence's superiors, who go by the book. Like the screenplays for Casablanca, Shawshank Redemption, It's a Wonderful Life and All About Eve, the screenplay here has lines that are a) quotable and that b)linger long into the memory, just like the story the film tells.
Whether it is the film's acting. Peter O'Toole is the easiest starting point, for he gives one of the best performances I have ever seen on film. His performance is so flamboyant and brilliant, it just highlights what a great actor he is. He nails Lawrence's complex character like a fitted glove, he is enigmatic and charismatic like TE Lawrence was like in real life. Supporting him all the way like iron are Alec Guiness, Claude Rains, Jack Hawkins and Jose Ferrer. Their characters aren't as complex as Lawrence's but they are still fully fleshed out and intriguing.
The film is very long, but thanks to the quality of the visuals, direction, screenplay, music and acting there is no time whatsoever wasted. Quite simply one of the best movies ever made, movie-making on the grandest scale. 10/10 Bethany Cox
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Brilliant
Posted : 2 years, 3 months ago on 5 August 2022 04:32
(A review of Monster House)I firmly believe Monster House is the best animated film of 2006. I did like Happy Feet and Cars, but Monster House beats them both in my opinion. It is superbly animated, with the colours really bold and the character designs and backgrounds really interesting. I also liked the music, which further added to the atmosphere, while the story is briskly paced and smartly written. My favourite assets though are the script and characters. The characters are brilliantly written and wonderfully voiced, while the script is witty and inquisitive. Overall, I love Monster House and strongly recommend it for pretty much anybody really. 10/10 Bethany Cox
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32. Shifu
Posted : 2 years, 3 months ago on 5 August 2022 03:20
(A review of Shifu)Movie(s): Kung Fu Panda (2008)
First Appearance: Kung Fu Panda (2008)
Voiced by: Dustin Hoffman
It takes a very light touch to take a venerated martial arts master - the archetype that inspired Yoda, Mr. Miyagi and dozens more - and make him fresh, while satisfying all the demands traditionally associated with the character: namely, enough neatly-phrased expressions of wisdom and advice to fill a thousand fortune cookies. Shifu, the kung fu master who teaches Jack Black's Po to be all that he can be in DreamWorks' unexpectedly entertaining adventure, is fresh as can be, thanks largely to Hoffman's playfully bemused line readings, a genuine warmth beneath the wiliness, and a refreshing sparkle to the banter between him and Po. Their delightful final exchange leaves the movie on a high note, and is the chief reason why we're looking forward to the incoming sequel.
Stroke of genius
It's got to be the hilarious attempts of the kung-fu master to tutor the enthusiastic but hopelessly inept panda Po in the basics of the martial art. His increasing exasperation and the faltering of that firmly-held calm is a joy to behold.
Fun fact
Dustin Hoffman had a clause in his contract allowing him to record additional voice sessions if he was unhappy with his original performance. Now that's perfectionism.
First Appearance: Kung Fu Panda (2008)
Voiced by: Dustin Hoffman
It takes a very light touch to take a venerated martial arts master - the archetype that inspired Yoda, Mr. Miyagi and dozens more - and make him fresh, while satisfying all the demands traditionally associated with the character: namely, enough neatly-phrased expressions of wisdom and advice to fill a thousand fortune cookies. Shifu, the kung fu master who teaches Jack Black's Po to be all that he can be in DreamWorks' unexpectedly entertaining adventure, is fresh as can be, thanks largely to Hoffman's playfully bemused line readings, a genuine warmth beneath the wiliness, and a refreshing sparkle to the banter between him and Po. Their delightful final exchange leaves the movie on a high note, and is the chief reason why we're looking forward to the incoming sequel.
Stroke of genius
It's got to be the hilarious attempts of the kung-fu master to tutor the enthusiastic but hopelessly inept panda Po in the basics of the martial art. His increasing exasperation and the faltering of that firmly-held calm is a joy to behold.
Fun fact
Dustin Hoffman had a clause in his contract allowing him to record additional voice sessions if he was unhappy with his original performance. Now that's perfectionism.
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33. Emily
Posted : 2 years, 3 months ago on 5 August 2022 02:05
(A review of Emily (Corpse Bride))Movie(s): Corpse Bride (2005)
First Appearance: Corpse Bride (2005)
Voiced by: Helena Bonham Carter
This could easily have been an uncomplicated horror, with a young man ensnared by a terrifying deadite obsessed with wedding bells, a Bridezilla with bits falling off. Instead, it became an unusual love story, precisely because Helena Bonham-Carter's Emily is so adorable. Rather than the lurching zombie she might have been, she's tragic, charming and strangely beautiful - yes, even with the blue flesh, skeletal extremities and loosely-attached eye. The fact that most of the audience consider the nicely wrapped up, happy ending an unhappy one is testament to just how likeable Emily is.
Stroke of genius
It's the melancholy song that Emily sings when she realises that Victor only proposed by accident and is still in love with Victoria upstairs, while her friends try to reassure her that she's pretty.
Fun fact
There were 14 different models of Emily and Victor, all based on a stainless steel frame with faces moved by clockwork.
First Appearance: Corpse Bride (2005)
Voiced by: Helena Bonham Carter
This could easily have been an uncomplicated horror, with a young man ensnared by a terrifying deadite obsessed with wedding bells, a Bridezilla with bits falling off. Instead, it became an unusual love story, precisely because Helena Bonham-Carter's Emily is so adorable. Rather than the lurching zombie she might have been, she's tragic, charming and strangely beautiful - yes, even with the blue flesh, skeletal extremities and loosely-attached eye. The fact that most of the audience consider the nicely wrapped up, happy ending an unhappy one is testament to just how likeable Emily is.
Stroke of genius
It's the melancholy song that Emily sings when she realises that Victor only proposed by accident and is still in love with Victoria upstairs, while her friends try to reassure her that she's pretty.
Fun fact
There were 14 different models of Emily and Victor, all based on a stainless steel frame with faces moved by clockwork.
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34. Homer J Simpson
Posted : 2 years, 3 months ago on 5 August 2022 01:17
(A review of Homer Simpson)Movie(s): The Simpsons Movie
First Appearance: The Tracey Ullman Show (1987)
Voiced by: Dan Castellaneta
With the hindsight switch very firmly flipped, we can now admit to ourselves, and each other, that The Simpsons Movie really wasn't very much cop. But it's almost impossible to have a list like this and not include the Simpsons' loveable, doltish, lunkheaded patriarch, even if it's something of a legacy choice, dictated almost entirely by the existence of the TV show. But despite the dearth of classic Simpsons gags, still manages to present the Homer we all know and love, putting him very firmly centre stage as he tries to win back Marge and his family, and prove to Springfield that he's not a monstrous jackass.
Stroke of genius
OK, it was in the trailer, but it's hard to top classic Homer slapstick, namely the moment when he gets caught - literally - between a rock (a giant rock) and a hard place (a cafe called The Hard Place, complete with giant pointy fork). Drawn out for just the right amount of time, as Homer swings between the two, getting crushed and stabbed alternately, it's up there with the rakes gag in Cape Feare.
Fun fact
The J. stands for Jay. Simples.
First Appearance: The Tracey Ullman Show (1987)
Voiced by: Dan Castellaneta
With the hindsight switch very firmly flipped, we can now admit to ourselves, and each other, that The Simpsons Movie really wasn't very much cop. But it's almost impossible to have a list like this and not include the Simpsons' loveable, doltish, lunkheaded patriarch, even if it's something of a legacy choice, dictated almost entirely by the existence of the TV show. But despite the dearth of classic Simpsons gags, still manages to present the Homer we all know and love, putting him very firmly centre stage as he tries to win back Marge and his family, and prove to Springfield that he's not a monstrous jackass.
Stroke of genius
OK, it was in the trailer, but it's hard to top classic Homer slapstick, namely the moment when he gets caught - literally - between a rock (a giant rock) and a hard place (a cafe called The Hard Place, complete with giant pointy fork). Drawn out for just the right amount of time, as Homer swings between the two, getting crushed and stabbed alternately, it's up there with the rakes gag in Cape Feare.
Fun fact
The J. stands for Jay. Simples.
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35. Roger Rabbit
Posted : 2 years, 3 months ago on 5 August 2022 12:41
(A review of Roger Rabbit)Movie(s): Who Framed Roger Rabbit (1988)
First Appearance: Who Censored Roger Rabbit, 1981 novel by Gary K. Wolf
Voiced by: Charles Fleischer
The concept of setting a Looney Tunes-type character in the real world is a bonkers but brilliant one, and this effort from the newly reinvigorated Disney of the late 1980s set them on course for a renaissance. And a lot of that is down to Roger himself - loud, brash, hugely irritating to partner Eddie Valiant but always well-intentioned. The killer is that Roger isn't stupid; he's capable of cunning and trickery in his attempt to clear himself of murder charges and regain the love of his smokin' hot wife. And after all, a rabbit with a woman like that on his arm has got to have something serious going for him.
Stroke of genius
It's Roger's heartbroken reaction to the news that his wife, Jessica, is cheating on him. Why is he so concerned with the fact that she's playing playground games? We've never been quite sure, but we feel for him nonetheless.
Fun fact
Charles Fleischer performed Roger's lines on set, off camera, while wearing a full costume including rabbit ears, overalls and gloves.
First Appearance: Who Censored Roger Rabbit, 1981 novel by Gary K. Wolf
Voiced by: Charles Fleischer
The concept of setting a Looney Tunes-type character in the real world is a bonkers but brilliant one, and this effort from the newly reinvigorated Disney of the late 1980s set them on course for a renaissance. And a lot of that is down to Roger himself - loud, brash, hugely irritating to partner Eddie Valiant but always well-intentioned. The killer is that Roger isn't stupid; he's capable of cunning and trickery in his attempt to clear himself of murder charges and regain the love of his smokin' hot wife. And after all, a rabbit with a woman like that on his arm has got to have something serious going for him.
Stroke of genius
It's Roger's heartbroken reaction to the news that his wife, Jessica, is cheating on him. Why is he so concerned with the fact that she's playing playground games? We've never been quite sure, but we feel for him nonetheless.
Fun fact
Charles Fleischer performed Roger's lines on set, off camera, while wearing a full costume including rabbit ears, overalls and gloves.
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