Reviews by Kyle Ellis

I will give some credit to this otherwise awful film, that it is better than its abysmal sequel Superbabies:Baby Geniuses 2. On paper, it doesn't look so bad, it has a great cast including beautiful Kathaleen Turner, Christopher Lloyd who is a lot of fun in pretty much everything he's in and the late Dom DeLuise. If only, if only it had a decent enough script and a good enough plot. However, the film is severely lacking in both areas, and makes a waste of those truly talented actors.

The script is just awful, and doesn't give anyone enough to work with, and there is no originality or sophistication. The story is one that has been done before and better about a nasty children's magnate who is carrying out tests on a host of brainy little children on the premise that they can speak in a secret language. Bob Clark's direction is very unfocused throughout, and doesn't improve whatsoever. The camera-work is rushed, and the slapstick is uninspiredly staged. In fact, if there was a redeeming quality, the soundtrack was okay to say the least.

The performances are disappointingly poor, and they are not helped by the lacklustre direction and the witless script. To be honest I found triplets Leo, Myles and Gerry Fitzgerald very irritating as the twins who try to outmatch Dr Kinder. As for Turner, this has to be a career low for her. This is a shame, because she is so beautiful and talented, but her strengths aren't even put to use here and she does overact quite wildly. Christopher Lloyd usually excels in roles similar to the one he has here, but he looks embarrassed here and looks as though he wants to get it all out of the way. And Dom DeLuise? For such a talented and versatile actor like DeLuise, you would expect a lot from him. But his part is so badly underwritten that he comes across as wasted.

All in all, sorry but I didn't like this movie. Even with such a wonderful bunch of actors, their talents are all gone to waste with poor writing, direction and plot. 1/10 Bethany Cox

Osmosis Jones isn't the funniest movie I have ever seen, but it is very clever and has an original concept. The humour is crude I agree, but it is actually amusing- the script does have its witty and amusing parts. The animation is not too bad either, certainly a unique style of animation, the backgrounds are nice and the characters have interesting features. And the music is very good as well. As I've said already, the concept is very original and the equally original and well written story(even with one or two predictable parts) does justice to that concept. Also, I liked the characters, Ozzy and Drix are likable and what they get up to is intriguing, fun and often unpredictable, Thrax is a great villain and the voice acting from Chris Rock, Laurence Fishburne, David Hyde Pierce, William Shatner and Bill Murray is top notch. Overall, clever, original and entertaining. 8/10 Bethany Cox

Not quite in the top 5 of David Fincher's best films ('Se7en', 'The Social Network', 'Fight Club', 'Gone Girl' and 'Zodiac') but it does come close. And this is somebody who found a lot to like about all his films, including his lesser ones like 'Alien 3' and 'Panic Room'.

Despite being often considered a remake, personally prefer to call it a second adaptation of the book. The book is a fantastic read, and as an adaptation while it is condensed and has some changes Fincher's film still adheres to the basic tone of the book as does the Swedish version. Of the two versions, the Swedish version just gets the edge for its incredible atmosphere complete with bleakness, chills, shocks and is more authentic, with Noomi Rapace burning the screen enigmatically with her presence.

Where Fincher's film improves over the previous version are in four areas. One is the production values, which are far more audacious here. The cinematography, both bleakly moody and exquisite to look at, is more cinematic and perfectly captures the frozen landscape which is like a character in itself. The film is very tightly edited too in a way that is distinctively Fincher. Trent Reznor and Atticus Ross' music score is another winner of theirs, it is haunting and gives a really unnerving vibe, combined with some clever sound mixing. The script, even when condensed, is more polished and tighter and also has more flow. While Lisbeth is a fascinating and complex character in the Swedish film, the Lisbeth in Fincher's film has even more complexity and more variation of emotions.

Fincher's direction is exemplary, showing a mastery of visual style and mood setting, ensuring that the film stays intriguing throughout the length. In lesser hands and with less assured pacing, with the long running time 'The Girl with the Dragon Tattoo' could have been a long haul but had plenty of intrigue. Much of the storytelling is gripping, and while not as authentic or quite as masterful in atmosphere like the Swedish counterpart was it has its fair share of chills, twists and turns (without being convoluted or illogical) and shock value as well as a murky bleakness. Contrary to what some believe, this second adaptation did have point (was fearing it wouldn't), as it made the story more accessible and gave it more exposure.

Good acting helps. Daniel Craig is very wisely restrained, the character should have a quiet determination and dignity which Craig handles very well. Christopher Plummer is simply terrific as well, one of his best performances in recent years, while Stellan Skasgard is frighteningly demented and Yorick van Wageningen is unsettlingly sadistic. Robin Wright does her best with a shallow character. Best of all is a magnificent Rooney Mara, such a multi-layered performance and sees Mara not just playing the role but disappearing into it. See her appearance for example, so committed that when you see her in other films you would not believe that it's the same person.

There are faults however. Did not think much of the Gothic James Bond-like opening sequence that just felt jarring and out of place. Nor with the accents, which were a mix for some of the actors of having one too heavy or thick (Wright) or not attempting one at all (Craig). The decision to use both English and Swedish in some scenes did have a tendency to confuse, while the central relationship (mostly successfully done) did feel underdeveloped and, even for characters that are the heart of the story, takes over the story a little too much somewhat.

All in all, almost as good as the Swedish version and better than both of that film's heavily flawed but still worthy sequels. 8/10 Bethany Cox

David Fincher to me is one of the most talented directors around today, and while Se7en from personal opinion is his best film Gone Girl is up there with his best. Fincher directs with his usual superb class, giving the film great style and keeping the story alive(Gone Girl is easily one of the year's best directed films), and the whole film looks absolutely great with brooding lighting that evokes the creepy atmosphere brilliantly and Gone Girl is also a film that makes good use of digital, after seeing many directors over-using or cheapening it it was refreshing to see the technique done with taste. Trent Rezner and Atticus Ross's music score gives the film a haunting vibe and adds much to the unsettling intensity that a lot of the film(at least two-thirds worth), managing to not do it in an in-your-face manner. The use of sound mixing was interesting and came off cleverly, almost like a distant thought process. Gone Girl also has a brilliantly written and adapted script that does a great job balancing dark humour- that's not overused and is often hilarious- and suspense mystery (The Cool Girl monologue in particular is a masterpiece of script-writing, one of my favourite film monologues ever), while the story(apart from taking a bit of time to get starting) is absorbing from start to finish, rich in detail and characterisation and is filled with shocks and unpredictable twists that will be guaranteed to leave you reeling. That it is adapted from superb source material(one of the best books I've read in recent memory actually) helps it, and that it is faithful to it is commendable, a case of being faithful to the source material actually coming off wonders rather than being bogged down by being too faithful. The not-what-they-seem characters are incredibly interesting and richly developed, especially Amy who is one of the most chilling female characters of the year. And the acting is one of the high points of the film, as good as Fincher's direction and the score are it's Rosamund Pike's knockout turn as Amy in restrained- she only has to raise an eyebrow or something like that and it says a lot- but quite terrifying mode(especially in the third act) that makes the film. It will be a great surprise if she isn't at least nominated because it is easily her best performance. Ben Affleck has the other not-what-they-seem role and plays it with oozing charm and brooding intensity, while Neil Patrick Harris surprisingly excels in a very against-type role(who knew he could be sinister?) and Tyler Perry oozes charisma and is very funny. Carrie Coon is the standout in support, it's a tricky role and the moral compass of the film but Coon is touchingly likable in it. The ending does for my liking end too suddenly and the storytelling got implausible and lazy at this point, but apart from that Gone Girl was a winner and one of the best of the year. 9/10 Bethany Cox

I notice that there are people who like "Space Jam", but others who don't so much. While I think it has flaws, I think it is an entertaining and energetic film, not as good as "Who Framed Roger Rabbit" and "Looney Tunes:Back in Action" but an entertaining movie for Looney Tunes and basketball lovers(I admit I am more of a Looney Tunes fan). The story is a very nice idea, but there were parts when it was rather juvenile, likewise with some of the dialogue. Michael Jordan is a great athlete, and his skills are put to great use, but his acting isn't as impressive, it seems as though he is playing himself at times. Flaws aside, it is very funny with some great jokes and constant energy, and excellent supporting characters. Bill Murray, wearing clothes that you shouldn't ideally wear on a golf course, steals every scene he's in, and Danny DeVito is great fun as evil Swackhammer. The Looney Tunes are hilarious, especially Daffy, and technically with all the radiant colours the film works wonders. Overall, I like "Space Jam", it isn't Oscar worthy material, but it is fun to watch. 7/10 Bethany Cox